[A Dávid Somló & Imre Vass review by Zsuzsanna Komjáthy] Probably it’s not the most appropriate thought to start a review with, but watching Drohnentanz, my very first impression is how tricky power can affect the density of a performance. How that power, emerging from the muscles, entrails, so the eyes can focus and control the attention; how it can fecundate even the simplest form to achieve a contentful, yet embarrassing choreography. Drohnentanz follows a straight structure, it’s just as plain as the topic it…Continue Reading “Goes around, comes back around; Drohnentanz, Vass, Somló review”

Zoltán Vakulya & Jessica Simet performing Mirage

[A Hodworks review by Zsuzsanna Komjáthy] There is an obvious connection between movement and voice, and as it is said in certain eastern cultures, it might be breathing. Both movement and speech begins and then returns there, to that tiny air gap in-between, what binds and interrupts the activities of body and mind. Breathing can be conceived as silence, or as an atemporal emptiness that unconsciously connects and then deviates the curvature of movements and voices. It isn’t a coincidence that breathing has always been in…Continue Reading “Assemble in différance; Mirage Hodworks review”