Márta Ladjánszki performing LetMeC, photo by NaVKE

[A Márta Ladjánszki: LetMeC review by Zsuzsanna Komjáthy] There is a theory out there, which suggests that one of the most radical ways for an artist to disavow the overrepresentation of self-images in society today is refusing to be visible onstage at all. Concealment bears a critical and political potential against the narcissistic praise of self(ie) culture as it erases presence, or at least shifts it to another level. What if we reverse the direction of erasing, and instead of being more or less unseen,…Continue Reading “Don’t letmesee; LetMeC, Márta Ladjánszki review”