Ex Nihilo, outdoor dance in Rakoczi Square, Budapest.

[An Ex Nihilo review by Zsuzsanna Komjáthy] Sometimes I wonder how space and environment can affect a performance; how they can disturb or heighten both the way of acting and perception. Last year I saw a genuine site-specific co-production by Pôtoň Theatre Derbis Company, Honey and Dust and Sláva Daubnerová  (Miracles) where the surroundings penetrated into the play and became the rulers of attention. After midnight, there was an etude in a desolate church happening where despite because of the minimalistic & plain way of…Continue Reading “Nobody, yet everybody; Ex Nihilo: Shapers review”