[A Viktor Szeri review by Dóri Albert] If there is a genre in music called self-depressive-synth-pop, why couldn’t it exist in dance as well? On the verge of anxiety, schizophrenia, self-identification and defenselessness, on the multimedia scene, where movement, silence vs. low beats (music: András Molnár) and dynamic light design (Kata Dézsi) interact, Viktor Szeri’s thrilling performance Sandy is Going Out drives us deeply into the everyday experience of loss, despair, desire and inertia, a state mostly defining the generation Y. A whole universe lies…Continue Reading “Under Their Power; Sandy is Going Out by Viktor Szeri – review”

Viktor Szeri performing Melinda's dream, photo by Tibor Nagy.

A Viktor Szeri review by Zsuzsanna Komjáthy There is a definitive way of thinking that tries to put things in boxes and to endow phenomena with solid meanings. Probably it makes life easier to grasp, for some. However, what goes outside of this beautiful box structure, is (still) labelled dangerous and is (still) not welcomed in the wider society as it can question the machinery and most of all, the forces that conduct it. Melinda’s dream by Viktor Szeri bells the cat as it interrogates…Continue Reading “Until I find you; Melinda’s Dream Viktor Szeri review”

Anna Biczók in Precedents to a potential future

Somewhere in the middle of the stage, there is a woman sitting at a desk (Anna Biczók), talking about the performance we are supposed to see. An expansive, wriggling story unfolds in an alienated, bland and didactic* voice, inducing an obscure playing with the interference of narratives and movements. The story she describes is about a dancer sitting at a desk, talking about the performance we are supposed to see, and starts moving with an excellent technique. Then, her speech transforms into a story about…Continue Reading “Time is a movement; Anna Biczók Precedents to a potential future review”